Christopher Pratt, Driving to Venus: On the Burgeo Road, 2000, oil on hardboard, 101.6 x 165.1 cm, Private collection

Whether depicting landscapes, buildings, boats, or animals, Pratt brought to his work a deep connection to Newfoundland and Labrador, a strong sense of structure and light, and an ability to express feeling through simplicity and control. From his early outdoor studies to his later, more abstract reflections on memory, these works reveal how Pratt’s art evolved—and how his surroundings shaped that evolution. Together, they offer a record of a life spent looking closely.

landscape using muted colours of tress, land, sky, and oil

Christopher Pratt, Gros Morne (At Portland Creek), 1960, oil on Plywood, 91 x 91.5 cm, The Rooms, St. John’s.

serigraph of a boat in the sand

Christopher Pratt, Gros Morne (At Portland Creek), 1961, serigraph on paper (working proof), 42 x 75.2 cm, The Rooms, St. John’s

woman sitting at dresser mirror without shirt on

Christopher Pratt, Woman at a Dresser, 1964, oil on hardboard, 67.2 x 77.5 cm, McMichael Canadian Art Collection, Kleinburg, Ontario

painting of a lynx in the snow

Christopher Pratt, The Lynx, 1965, Serigraph on paper, 51.8 x 76.2 cm, The Rooms, St. John’s

two level simple brown house, straight on view with water in the distance

Christopher Pratt, House in August, 1969, oil on board, 44.5 x 62.2 cm, Currier Museum of Art, New Hampshire

view looking out of a window at brick institutional buildings

Christopher Pratt, Institution, 1973, oil on Masonite, 76.2 x 76.2 cm, National Gallery of Canada, Ottawa

shadows of trees on a white siding house with pine trees in the background

Christopher Pratt, Spring at My Place, 1985, serigraph, 50.6 x 95.7 cm, The Rooms, St. John’s

Man walking to shed in the winter with a flashlight at night

Christopher Pratt, Christmas Eve at 12 O’Clock, 1995, lithograph on paper (A/P VI), 25.8 x 28.5 cm, The Rooms, St. John’s

Rows of glowing windoes set into a fortress-like power station framed by the night sky

Christopher Pratt, Deer Lake: Junction Brook Memorial, 1999, oil on canvas, 114.5 x 305 cm, National Gallery of Canada, Ottawa

Road disappearing into the distance with headlight shining on it as if the perspective is you are the driver, at sunset.

Christopher Pratt, Driving to Venus: On the Burgeo Road, 2000, oil on hardboard, 101.6 x 165.1 cm, Private collection

a long dock in the water with a bird soaring above

Christopher Pratt, After the Cold War: Argentia Approach, 2008, oil on canvas, 152.4 x 177.8 cm, Private collection

four paintings oh the coast line

From left to right:  Christopher Pratt, Winter Suite 1: West Fall Evening, 2009, oil on board, 91.4 x 104.1 cm, private collection; Christopher Pratt, Winter Suite 2: North Winter Night, 2009, oil on board, 91.4 x 104.1 cm, private collection; Christopher Pratt, Winter Suite 3: East Spring Morning, 2009, oil on board, 91.4 x 104.1 cm, private collection; Christopher Pratt, Summer 1/1 4: South Summer Noon, 2009, oil on board, 91.4 x 104.1 cm, private collection.

Key Works