C.D. Hoy, Chinese man in Revolutionary background, 1912, P1687 Barkerville Historic Town Archives.
Through the Lens
of C.D. Hoy

How a Chinese Canadian Photographer Memorialized a Community

Curated by Faith Moosang

In the early 1900s, C.D. (Chow Dong) Hoy (1883–1973)—one of the earliest Chinese Canadian photographers—created extraordinary portraits that present a unique view of the diverse community of Quesnel, British Columbia, a town where Indigenous people, Chinese immigrants, and European settlers formed a cross-cultural community. In an era of significant systemic racism and cultural marginalization, the idea that people from diverse backgrounds showed up at Hoy’s studio to be photographed and celebrate their own existence is a powerful statement. Today, Hoy’s work offers all of us a glimpse into a small frontier town and the many people who, just by being photographed, shift our conceptions of the past. The hope of course is that there is a similar shift in our collective vision of the future.

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C.D. Hoy, Hoy Self-Portrait, c.1910
P1655 Barkerville Historic Town Archives.

In the spring of 1909, Hoy arrived in the gold mining town of Barkerville, and there he picked up a camera for the very first time. It is not known how he got this camera, how he learned to operate it, or where his portrait studio might have been: one day he was an underemployed gold miner and the next he was a photographer. He later settled in Quesnel, a nearby town, and he became a well-respected community member, a father of twelve, and, for many, the man you visited to get your photograph taken.

C.D. Hoy, Mathilda Joe, c.1910
P1631 Barkerville Historic Town Archives.

Hoy’s photographs are divided almost exactly in thirds in relation to the representation of Indigenous, Chinese, and Caucasian people, indicating not only the then incredible diversity of frontier regions like the Cariboo, but also that each of these cultural groups felt equally comfortable beneath the levelling gaze of this Chinese man and his camera. This dignified portrait depicts Mathilda Joe, wife of the Hereditary Chief of ʔEsdilagh, a woman who was known as an excellent hunter who provided meat for the entire community.

About the Curator

Faith Moosang

This online exhibition has been curated by Faith Moosang, a multimedia artist, curator, writer, and researcher who lives and works in Vancouver. Her work centres around inquiry into spectacle culture, media, mediated imagery, and the mechanically reproduced image.

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