Pitseolak Ashoona (c. 1904–1983) was born in a time of incredible transition for Inuit of the Canadian Arctic, from an era when life was lived in semi-nomadic hunting camps to one in which the radio news reported that two men had landed on the moon. Pitseolak became a woman empowered by art, embracing her role as a visual historian in a changing Inuit society. Pitseolak’s artwork contributed to the establishment of a modern Inuit art form that receives worldwide attention and plays a vital role in the transmission of Inuit cultural knowledge and values. One of the first Inuit to create images of camp life, her body of work, its range and depth, was achieved through two decades of diligent effort and considerable creative energy.
“I came across a series of gem-like drawings by Pitseolak, so lively and colourful that they seemed to glow. I realized that even with a famous artist like Pitseolak, there was still much to learn.”
– Christine Lalonde
The critical and commercial success of contemporary Inuit art rests on the foundation built during Pitseolak Ashoona’s generation. Pitseolak Ashoona: Life & Work celebrates her “unusual life” as a bold, powerful artist who understood art’s communicative power and was conscious that her drawings presented Inuit intellectual, spiritual, and material culture to the rest of Canada and the world. The didactic quality of her art was motivated by her desire to teach others, non-Inuit and future generations of Inuit alike, about the life she experienced first-hand.
Copyright Information
© 2015 Art Canada Institute.
All rights reserved.
ISBN 978-1-4871-0056-8
Published in Canada
Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place,
Toronto, ON M5S 2E1
Banner Image: Pitseolak Ashoona, Drawing for print Summer Camp Scene, c. 1966–76. Collection of the West Baffin Eskimo Co-operative Ltd., on loan to the McMichael Canadian Art Collection, Kleinburg, Ontario, CD.27.1736. © Dorset Fine Arts.
Online Book Sponsors
We gratefully acknowledge this book’s generous benefactors:
Lead Sponsor

Title Sponsors


Institutional Partner

The Art Canada Institute thanks our Sponsors of the 2014-2015 Canadian Online Art Book Project:





Phyllis Lambert
The Harold Town Estate
Related
Print Book
Explore
More Titles












![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.artcanada.com/2026/03/03205429/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)




















![Untitled [Study for advertisement for Cutex nail polish], black and white photo by Margaret Watkins.](https://assets.artcanada.com/2026/03/03205801/MargaretWatkins-UntitledStudyForAdvertisementForCutexNailPolish-1924_upscaled-788x1024.jpg)























































