Despite having almost no artistic training, in his mid-twenties Homer Watson (1855–1936) achieved national renown after his painting The Pioneer Mill, 1880, was purchased as a gift for Queen Victoria. His fame increased further when Oscar Wilde likened him to the Barbizon artists in France and declared him to be “the Canadian Constable” (adding that he simply “must know that man”). The Kitchener, Ontario-based artist then built an international career that led to his presidency of both the modernist Canadian Art Club and the more traditional Royal Canadian Academy of Arts.
“Homer Watson’s landscapes were biographical manifestos and philosophical statements, an opportunity to explore nature’s inner life, power, and meaning and to probe the delicate relationship of respect that he believed human beings should establish with the natural world. His dedication to safeguarding the environment was exceptional and far-sighted.”
– Brian Foss
Homer Watson: Life & Work is a fascinating study of a painter who defined what his art and identity meant, forty years before the Group of Seven. Author Brian Foss traces the artist from the romanticism and naturalism of Watson’s first canvases to the increasingly expressionistic imagery of his later years.
Although the fame of the Group of Seven supplanted that of Watson late in his career, he remained throughout his life a beacon of personal integrity and a relentless champion of Canadian art, artists, nature, and environmentalism. Despite his extensive international travels, Watson always returned to his home in southern Ontario, where he painted the area around Kitchener’s Grand River with what he called “faith, ignorance, and delight.”
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© 2018 Art Canada Institute.
All rights reserved.
ISBN 978-1-4871-0184-8
Published in Canada
Art Canada Institute
Massey College, University of Toronto
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Toronto, ON M5S 2E1
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![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.artcanada.com/2026/03/03205429/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)




















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