Gershon Iskowitz (1919–1988) was about to begin his studies at the Academy of Arts near Warsaw, Poland, when the Nazis invaded. He survived the Holocaust by drawing, as a means of psychological resilience, on scraps of paper that he found after bomb raids. Gershon Iskowitz: Life & Work traces the life of this incomparable artist, from his early days as a student in Poland to his captivity at Auschwitz and Buchenwald to his remarkable artistic trajectory in Canada.
In 1949 Iskowitz immigrated to Canada where he quickly established himself in his new country’s artistic scene. His first recorded exhibition was at the 1954 Canadian Society of Graphic Art annual show, held at the Art Gallery of Toronto (now the Art Gallery of Ontario). In the decades to come, Iskowitz would have many solo exhibitions, including a forty-year retrospective in 1982.
“For Gershon Iskowitz, his art and life were inseparable and we must try to understand his circumstances—the trauma of the Holocaust and the uncertainty of the immediate post-War period. His early figurative images are his world observed and remembered. With the later abstract works, he made his own vision of the world, even as he made himself a ‘new man’ in it.”
– Ihor Holubizky
Author Ihor Holubizky explores the career of this remarkable artist, from his early largely figurative work focused on Holocaust themes to his turn toward epic and colourful canvases. In 1967 Iskowitz began creating luminous abstracted landscape paintings of bright, vibrating hues: iconic images in Canadian art that propelled him to new levels of recognition and that reached international audiences.
Copyright Information
© 2019 Art Canada Institute.
All rights reserved.
ISBN 978-1-4871-0193-0
Published in Canada
Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place,
Toronto, ON M5S 2E1
Banner Image: Gershon Iskowitz, Uplands B, 1970. Private Collection. Courtesy of Miriam Shiell Fine Art. © Gershon Iskowitz Foundation.
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![(Left) Jean Paul Lemieux, Preparatory sketch for “Québec (projet de peinture murale)” (“Québec [Mural Project]”), 1949. The Royal Collection, United Kingdom. Courtesy of The Royal Collection. © Estate of Jean Paul Lemieux. Photo credit: Royal Collection Enterprises Limited. (Right) Diane Landry, Brise-glace (Icebreaker), 2013. Collection of Méduse, Quebec City. Courtesy of Diane Landry. Photo credit: Ivan Binet.](https://assets.artcanada.com/2026/03/03205429/quebec-city-arts-artists-book-landing-page-1-1024x576.jpg)





















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